Walter Benjamin and Susan Sontag argues the ways and the kinds of the  raw technologies and new media like   line drawing taking and cinema. They are not agreed in  each(prenominal)  password points.               Like the german writer and  renderist, Walter Benjamin (1892-1940) mentioned in his  establish The  knead of  contrivance in the  ripen of   mechanized  comeback  photography and cinema  invented a new   wad and  a new kind of  prowess. On the other   spacial relation Susan Sontag one of  Americas important writers who was born in 1933 and  keep in New York today, explains in her book On  picture taking this new kind of art: photographys bad usage , consequences and the  unconsolable sides of it.                                Today, visuality and  imitation is one of the main characteristic of the two art form photography and film. According to Benjamin Even the  approximately  complete reproduction of a  naturalize of art is  missing in one element   : its presence in   patch and space, its  queer  origination at the place where it happens to be. This  laughable existence of the work of art determined the history to which it was subject  passim the time of its existence (Benjamin, The Work of Art in the Age of Mechanical Reproduction. P,2). Here Benjamin talks about the  concept of  nimbus as a presence of the work of art.

  also thither is an another description of this concept that Benjamin explains in his essay: We define the aura of the latter as the unique phenomenon of a distance, however close it may be. If, while resting on a summer afternoon, you follow with your eyes a  chew  lo   ok-alike on the horizon or a  ramification w!   hich casts its  rear over you, you experience the aura of those mountains, of that branch (Benjamin, The Work of Art in the Age of Mechanical Reproduction. P,3).  It looks...                                        If you want to  render a full essay, order it on our website: 
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