Walter Benjamin and Susan Sontag argues the ways and the kinds of the raw technologies and new media like line drawing taking and cinema. They are not agreed in each(prenominal) password points. Â Â Â Â Â Â Â Â Like the german writer and renderist, Walter Benjamin (1892-1940) mentioned in his establish The knead of contrivance in the ripen of mechanized comeback photography and cinema invented a new wad and a new kind of prowess. On the other spacial relation Susan Sontag one of Americas important writers who was born in 1933 and keep in New York today, explains in her book On picture taking this new kind of art: photographys bad usage , consequences and the unconsolable sides of it. Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Today, visuality and imitation is one of the main characteristic of the two art form photography and film. According to Benjamin Even the approximately complete reproduction of a naturalize of art is missing in one element : its presence in patch and space, its queer origination at the place where it happens to be. This laughable existence of the work of art determined the history to which it was subject passim the time of its existence (Benjamin, The Work of Art in the Age of Mechanical Reproduction. P,2). Here Benjamin talks about the concept of nimbus as a presence of the work of art.
also thither is an another description of this concept that Benjamin explains in his essay: We define the aura of the latter as the unique phenomenon of a distance, however close it may be. If, while resting on a summer afternoon, you follow with your eyes a chew lo ok-alike on the horizon or a ramification w! hich casts its rear over you, you experience the aura of those mountains, of that branch (Benjamin, The Work of Art in the Age of Mechanical Reproduction. P,3). It looks... If you want to render a full essay, order it on our website: BestEssayCheap.com
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